Editorâs note: This article contains explicit language.
Election Day has always contained its share of surprises, but one that floored most pundits as the polls closed was just how strongly Gen Zâespecially the men of that generationâwent from blue bastion to red redoubt.
But for Karen Ashcraft, the writing was on the wall. In fact, the writing was from , which warned that âviral masculinityâ was a growing threat to young men and boys not just in the United States but worldwide.
âI think a lot of people picture the manosphere as individual content creators, or trolls and shitposters and such, but actually, itâs a movementâa form of digital organizing that has absolutely mushroomed over the last 20 years,â said Ashcraft, a ¶¶Òő¶ÌÊÓÆ” Boulder alumna andÌęprofessor of communicationÌęat the College of Media, Communication and Information at ¶¶Òő¶ÌÊÓÆ” Boulder. âItâs a viral stew of aggrieved manhoodâthe seething sense that real manhood is under attack and must fight back. This feeling now saturates the environment to an extent that men and boys cannot escape repetitive contact with it.â
Ashcraft is not a new voice on this topic. As she was earning her doctoral degree from ¶¶Òő¶ÌÊÓÆ” Boulder, Hollywood was premiering âFight Clubâ and âThe Matrix,â which set the stage for key tenets of the manosphere. But even before then, Ashcraft brought a perspective to the discipline that other scholars have not.
âI was born and raised a right-wing populist,â she said. âWell before Trump, my family was part of the religious right, we were preppersâall of it. So, I come at this from a place that is not anti-populism, but pro-men and boys. We need to address the challenges they face, and we can do that in a pro-feminist way.â
The challenge is how successfully right-wing populist movements have changed their approach to suit the digital ageâitâs no longer just Rush Limbaugh preaching to a comparatively narrow audience on talk radio. But, Ashcraft said, this is not a case of âthe internet did it,â nor is it just about the gravitas of personalities like Andrew Tate or Lex Fridman.
Instead, âThe sentiment of aggrieved manhood got rebranded,â she said. âIt went from bitter old guys in their basements, plotting militia activity, to becoming this sort of punk, anarchist, edgy thing. Itâs a new counterculture that happened through this explosion of online activity.â
And while there are different flavors to that extremismâfrom the United StatesÌęto RussiaÌęto Iranâthey all start with the same ingredientâa light touch of misogyny and aggrieved manhood. It is, Ashcraft said, âa gateway drug to the far right.â
âThe feeling that manly rights have been wrongedâmen versus womenâtravels the world very easily, because itâs a simple binary,â she said. âPeople all over the worldâmen, but letâs not kid ourselves, women, tooâcan get infected with this feeling that men have lost out to women. And because itâs everywhere, boys get enticed by this idea, and then it opens up into this larger far-right world.â
Family ties
If youâre dreading the conversation at the kidsâ table this Thanksgiving, Ashcraft saidÌęyou shouldnât. As someone whoâs watched these attitudes become more common in her classroom, and as someone who works hard to maintain strong family ties with people who donât share her worldview, she said the firstâand hardestâthing to do is to stop trying to persuade people.
Not only does that not work, typically causing people to retrench deeper into their beliefs, her research has found that arguing the facts and trying to fight disinformation is a source of oxygen to this particular fire. So, too, is the empathetic response of trying to understand the legitimacy of the anger and aggrieved feelings spewed by the manosphere.
Instead, Ashcraftâs research proposes the notion of lateral empathy, in which we put greater care on how people become âinfectedâ by the viral feeling of manly grievanceÌęand less care on the content of what people say.
âWhen I see this in class, or when I talk to young people, I address it at the level of feeling,â she said. ââYou seem agitated. Tell me about thatâwhat does that feel like? What really riles you up?â
âFor the sake of smart and new and adaptive interventions, we need to grasp that in todayâs communication environment, feeling is in the driverâs seat. Content has become the secondary thing that gives feeling an outlet.â
And teaching younger generations will require a shift, as well.
âA very big shiftâ
âWe teach people all about how to sift through good ideas but nothing about how to understand the circuits of their bodies that receive emotion,â she said. At CMCI alone, she said, researchers in information science, journalism, media studiesÌęand elsewhere know how feeling works when it engages with algorithms, news, movies and beyond.
âItâs a very big shift, and not an intuitive one, but we need to cultivate lateral empathy in many different arenas, and education could play a big role in that,â she said.
It already plays a role in her own life. While Ashcraft doesnât subscribe to the populism of her family, she works very hard to keep her familial ties strong.
âWhen youâre talking about family, love is on the line,â she said. âAt the Thanksgiving table, stop the content, surrender that desire to argue head-to-head, and settle into that deeper level of feeling.
âI had a recent conversation with a relative, where I said, âI know weâre trying to avoid these topicsâbut they keep coming up, my heart rate is increasing, Iâm scared. I love you, and I hear your agitation. What is the agitation? Can you tell me how youâre hurt by my concern for womenâs reproductive rights?â So itâs at the level of the feeling that is relevant to preserving the relationship.â
¶¶Òő¶ÌÊÓÆ” Boulder Today regularly publishes Q&As with our faculty members weighing in on news topics through the lens of their scholarly expertise and research/creative work. The responses here reflect the knowledge and interpretations of the expert and should not be considered the university position on the issue. All publication content is subject to edits for clarity, brevity and university style guidelines.