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Filming the Frontlines: Jordan Campbell’s Journey Into Ukraine

Filming the Frontlines: Jordan Campbell’s Journey Into Ukraine

Journalist, photographer and filmmaker Jordan Campbell (Comm’91) is no stranger to the harshness of international conflict. He has reported from South Sudan, Libya and Iraq for publications like National Geographic and Men's Journal. He also founded Ramro Global, a film production company that documents the work of global health and humanitarian initiatives.

But his latest project, an upcoming documentary titled , is a personal labor — the origins and experiences of which are unlike anything he’s ever undertaken.

Filming in Ukraine

International storytelling

After graduating from Ƶ, Campbell started working with outdoor company Marmot as a communications director. Always one to seek out new and interesting perspectives, he befriended a few of the company’s international representatives, becoming close to his Ukrainian colleagues Iryna Karagan and Pavlo Vasianoych.

Over the course of the next decade, Campbell found himself drawn to bigger stories, fueled by his university training in storytelling, geopolitics and political science. His career segued into global journalism and film.

Still, he remained friends with Karagan and Vasianoych. And when Russia invaded Ukraine in February 2022, he quickly reached out to Karagan. Concerned, he asked if she would flee. Karagan’s answer was resolved: Not only was she staying put, she was staying “to defend our country.”

Her determination highlighted what Campbell saw as “the most incredible injustice, a David and Goliath story — of resistance, resilience and the quest for freedom, democracy and European integration.”

Documenting conflict

A month later, Campbell crossed the Polish border heading to Kiev, his camera in tow and post-apocalyptic sirens blaring. “It was a ghost town,” he remembered. In areas near Bucha that Ukrainian soldiers had just liberated from Russia, he saw evidence of violence alongside the burnt remains of tanks, buildings and cars.   

He returned again that summer and embedded at a military hospital in Pokrovsk, a grisly scene of battered and injured soldiers. “It was a life-changing event,” he said. Campbell decided that the footage he shot would become part of a film, Ukraine Under Fire, that documents Russia’s invasion and Ukraine’s resilience, and includes Karagan and Vasianoych as subjects.

Ukraine Under Fire Poster

Between visits, Campbell spoke up about what he had seen. At the U.S. Senate Building, he presented before an audience of global politicians during the Parliamentary Intelligence Security Forum, speaking about Russia’s use of cluster bombs on civilian targets and what he believed was evidence of war crimes and genocide.

“What he’s doing by humanizing the conflict encourages people to take an interest and support the cause of the Ukrainian people,” said Dan Martinez, a retired Foreign Service Officer and Ramro Global advisory board member who facilitated Campbell’s participation.

Despite the inherent risks, Campbell continued to return to Ukraine, mitigating the dangers by following a few simple rules: “Make the best decisions you can possibly make, given where you are and who you're with,” and, “Pick the people you're going to be with very carefully.”

One such person he shadowed was Peter Fouché, a South African combat medic. During a frigid morning in early 2023, the two men patrolled a quiet hamlet near the front line, peering up at the sky for incoming drones. Fouché, burly and hardened, a Rambo-like figure cradling an AK-47, emerged from the broken shell of a little stone house. Then, he broke into tears. 

“The West will be remembered for what they have done or have not done in this war,” Fouché said, staring directly into Campbell’s lens.

Capturing reality

The summer of 2023 was Campbell’s fifth visit to Ukraine — one he now describes as “disastrous.” He was with Fouché at the time, and their nerves were shot from exhaustion, PTSD and a relentless, soggy heat. He didn’t know it, but it would be the last time he’d see his friend.

As Campbell made plans to return, to embed with Fouché and his Ukrainian colleague Tatyana Millard, he learned that the two were killed near the frontlines. The duo were evacuating injured soldiers from the combat zone “like a superhero team,” Campbell said.

“That’s Peter’s essence right there,” Campbell remarked weeks after Fouché’s death, while reflecting on the footage he captured of the heroic medic and his piercing statement about the West’s role in the war. “That's the power of documentary film. It's that close.”

Campbell’s documentary, , is set to release in December 2024.


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Photos courtesy Oleg Avilov